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7 out of 12 Machine is not Broken cover

Paul Newman - Machine is not Broken
(My Pal God)

My first exposure to the band Paul Newman at a live show a bit over a year ago left me very happy and pleased. I never thought one of these post-rock/mostly-instrumental bands that were becoming more and more common at the time could produce such a thrilled mental state, especially in a live setting. I don't think there's anything intrinsically wrong with purely, or as is the case with Paul Newman, mostly instrumental music, but often it seems like the refusal of certain "indie rockers" to write lyrics is symptomatic of a deeper lack of creativity. It's as if the reason for disregarding words and sung melody isn't because the music doesn't require them; it's because the artist just plain has nothing to say. Much of the music itself seems mute, incommunicative, and afraid to bring attention to itself. Though Paul Newman fit fairly neatly into the instrumental/post-rock niche, I found that they greatly exceeded my expectations for the style. They were focused, sharp, and full of energy. The sounds were bright and ringing with clean guitar and crisp, precise drumming. From time to time their music was even was even a bit crazy and daring. Watching the band I occasionally found myself grinning and even giggling as a result of some wild thing they'd done. But the music always made sense and had a kind of prettiness to it. It never crossed the border into seemingly random and musically vacuous math or stunt-rock à la Don Caballero or A Minor Forest. I felt I'd found a band I could like and be excited about.

By the time I first heard Paul Newman, they'd already produced a small but quite good group of recordings, including two full length releases and a handful of EPs and singles. Since then, Paul Newman the band has done little, however the various individual members of the group have kept busy with various moves to different locations throughout the country and various other bands and projects including Drums and Tuba and the excellent Rhythm of Black Lines. (I believe EVERY member of Paul Newman is currently in at least one other band. The members' desires to explore various other directions musically seems consistent with the one most common criticism of Paul Newman's older material--a bit of a lack of consistency and a tendency to sound from one song to the next like two or three completely different bands.) I even heard rumors that the band had broken up, but no, they were just in the kind of inactive state every band with members strewn about the United States has to be in. Then this year they reconvened for 2 weeks to write, practice and record their latest LP, Machine Is Not Broken. This album is definitely more homogeneous and probably somewhat prettier than any of their other releases. Unfortunately, it seems to also lack the energy that could often be found in previous Paul Newman work. There are fewer "inspired moments" in the music, and the band seems to be moving towards rather than further away from the pack of similar bands. Machine is Not Broken feels like what it apparently is--a recording that was hurriedly produced just so the band could extend its life with a new release. It doesn't sound like any of the band members had any really great ideas that were just begging to be recorded. And most likely if they did have any such ideas, at this point they would use them in one of their other groups.

Despite it's half-heartedness, the album really is not at all bad. Fans of Tristeza or previous Paul Newman tourmates Dianogah and Yind will most likely not disapprove of the music here. But Paul Newman performs these minimal instrumentals with less mystery and atmosphere than Yind, less rock than Dianogah, and less flow than Tristeza. While there's nothing really wrong with the album, I'm sad to say that I just can't imagine that it's anything anyone really "needs" to have in their collection. But for the person who has to have that weekly fix of new music to listen to while going to sleep, it would definitely be worth picking up.

ned clayton
2000 jul 14

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