Nation of Ulysses - The Embassy Tapes (Dischord)
Viva la Nation of Ulysses! Viva la revolution!
The Nation of Ulysses were five D.C. lads, all claiming to be
18-years-old, who comprised a revolutionary sect of musical
propagandists. They heralded the benefits of fashion as a revolutionary
tool ("pajamas . . . a bold new uniform for . . . fighting against the
nauseous prospect of the ethical workday"). They decried the evils of
sleep ("the greatest thief, as it steals half one's life") and candy ("the
road to hell is paved with chocolate treats"). They played loud, sloppy
punk rock. Then they broke up. (Three members reformed, briefly, as the
Cupid Car Club--for one 7" on Kill Rock Stars--before finally becoming the
gospel trash combo the Make-up).
The Embassy Tapes is the dying breath of Ulysses. 10 tracks
recorded on a four-track recorder in their practice space before they
disbanded. It's not a pretty sight. It's a muddled, often incoherent
recording, obviously not one that was intended to be released. The band,
while never really all that together, is particularly "loose" on these
recordings.
The real problem, however, is with the songs. The Nation of Ulysses, for
the most part, always kept it pretty simple. Their music was pure
punk: short, fast, and barely held together. They played with an urgency
appropriate for their revolutionary rallying cry, personified in singer
Ian Svenonious' distinct croon, cries, and yelps. Those elements are all
present, but the songs lack the hooks and the inspiration that made all
thirteen points on their 13-Point Program to Destroy America essential
tracks. A band that is as based in persona as Ulysses was can only burn
brightly for a short period before extinguishing itself. By the sound of
The Embassy Tapes, it is obvious that the time for Ulysses had
ended, and the time for Cupid Car Club had arrived.
For those who have never heard the Nation of Ulysses, I highly recommend
their 13-Point Program to Destroy America, which features such
classic tracks as "A Kid Who Tells on Another Kid is a Dead Kid" and
"You're My Miss Washington D.C." After all, Dischord records are cheap
and the extensive liner notes/manifesto that are included makes the record
worth buying even if you don't like the music (you will learn, for
instance, the Nation's mantra is "Ulysses, Ulysses, little flower, beloved
by all the youth"," and that James Canty has the "smoothest skin in show
business"). For those who love the Make-Up and are unfamiliar with the
Nation, definitely check out the 13-Point Program for the
proto-Make-Up track "Look Out! Soul is Back."
The Nation of Ulysses is dead. Long live the Nation of Ulysses.
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