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12 out of 12 Catherine Whiskey 18 Postcard EP cover

Yellow 6 - Catherine Whiskey 18 Postcard EP
(Jonathon Whiskey)

If 4AD had retained more than a shred of its former greatness, they would probably be releasing Yellow 6. Like many of the early 4AD artists (Cocteau Twins, This Mortal Coil), Yellow 6 undergird thick washes of heavenly ambience with smooth but solid beats. The limited postcard E.P. (which comes packaged in plain cardstock with a customs sticker attached, along with a Yellow 6 postcard--hence the name) collects some previously released rarities along with some new songs.

Jon Attwood (A.K.A. Yellow 6) is similar in approach to some other well known Brits in the genre (Dave Pearce of Flying Saucer Attack and Dave Mercer of Light). Like the Daves, he works mostly by himself in the writing and recording, the singularity of vision and also the "home taped" quality produced by this method lends to the music a similar warmth and texture (as heard in Flying Saucer Attack and Light).

Jon Attwood adds to this fuzzy ambience, though, some of the smoothest, and as far as I'm concerned, best beat programming in the genre. Attwood has a talent for smooth, flowing beats unheard (at least by me) since Mark Clifford of Seefeel. As a result the beats are not distracting (as is the case with beat experiments attempted by other bands), but add a depth and an accent that propels the song rather than contradicts it.

I'm sure it's clear by now how I feel about Yellow 6 so I'll finish it all up by talking about some of my favorite tracks on the E.P. The standout track for me is "Leitmotiv#5" (previously seen on the Enraptured Records album Overtone). It shuffles seamlessly from phase to phase with beats fading in and dropping out and before you even notice twenty minutes have passed. Another of my favorites is "Zero Degrees Kelvin." It starts with a bit of a stronger beat than some of the others, under the beat there is nothing more than a little drone and a simple strummed theme, the result, however, is something somewhat similar and pretty much as great as Pygmalion-era Slowdive--excellent! I could go on, but I think you get the idea, this is really, really, really great.

pete baumann
2001 jan 12

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