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10 out of 12 Suspende Animation cover

Timonium - Suspende Animation
(Pehr)

There are two major categories of musicians: 1. Those who simply mimic their influences as closely as possible and 2. those who translate the essence of their influences and synthesize them into something that--although still not totally original--still contributes something valuable to the history of music. My initial impression of Timonium (before any real exposure to them) would have placed them in the first category. After having seen them play live and listening to their album, I've realized that my impression was wrong. Timonium, although certainly influenced by the "shoegazer" genre, have moved forward considerably and have found their own niche within (or maybe just outside of) the genre.

My view of Timonium is certainly colored by the fact that my first real exposure to them was at one of their shows which featured only part of the band, the bassist and the guitarist. I was struck by the warmth and the clarity of the guitar and was reminded of these same elements in The Lift To Experience. Adam's guitar work is simple, but powerful, using little processing, usually nothing more than a touch of reverb. This lack of "frills" on the guitar makes the occasional climaxes all the more powerful. Adam's voice is also striking, and although light and breathy, still remarkably direct.

Adam's guitar is certainly the focal point of the band, and the album is at its best when the distraction from it is minimal. The rest of the band seems to understand this and such distractions are rare. The only track that seems to stray a bit and lose focus is "Neu Hampshire" which features a more persistent beat and vocals with a strong presence. All the rest of the songs seem to keep the balance in check and are often delicate and sometimes powerful.

By emphasizing the importance of the guitar, I by no means intend to discount the role of the other band members, whose contributions, particularly the bassist's, are excellent and add texture that most often (and almost without exception) improve the songs significantly.

The only significant criticism I have for the album is that it hasn't translated the dynamics and intensity of the live show. The album tends to dilute the dynamics of the music a bit, and the result is less satisfying. I guess at the root of my lack of satisfaction, though, is the fact that I've seen the level of intensity they are capable of, so I am aware of the shortcomings of the album in relation to it. Here's hoping that they find a way to reproduce it next time!

pete baumann
2001 may 11

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