Music Fellowship
buy an ad! same cost as renting the latest Vin Diesel masterpiece

fakejazz.com
update
last:17jan
next:feb
reviews | articles | search | picks | bands | contact | beta site
9 out of 12 Trail of the Butter Yeti cover

Rollerball - Trail of the Butter Yeti
(Roadcone)

Last year's Bathing Music by Portland's premier gypsy orchestra, Rollerball, was the sound of train track-side parties and dark magic revivals, the sound of this band of gypsies making it to a new town, setting up camp, and rejoicing in the end of another journey. In contrast, Rollerball's new album, Trail of the Butter Yeti, centers on the voyage itself, giving the album a darker, sparser, and less accessible sound, sounding more like nature's soundscape with a few lonely human voices than Bathing Music's richer pageantry and more pop-natured sing-alongs.

"Butter Fairy," the centerpiece to the album at 10 minutes long, sounds very much like a recreation of the forest scenes from the movie Princess Mononoke. Drums and percussion create the sound of the grass and the leaves while guitar, saxophone, accordian, and other instruments add ghostly voices, sounding like spirits of the forest coming to you at night, warning you from going any further. The sound of "Truth" also has a very earthy, nature-like feel, sounding like insects chirping and birds hootings, making the listener feel like he is also alone on the road in the middle of nature.

In fact, several of the lyrics on this album match this theme of going back to the lonely, open road. "Earth 2 Wood" finds the band telling each city to "keep smiling," as the band leaves each port for its next journey. "Narcisse" centers on the phrase "Let's break bread with the dogs," drawing images of isolation where souls are disconnected from society (perhaps, like Narcissi, because they are so wrapped up in themselves and their ideals) and have no one to share a meal with other than the animals. Even the title of the album, Trail of the Butter Yeti, sounds like a lonely voyage to unknown places in order to find some mystical but ultimately nonexistent being.

The more pop-oriented songs on the album, where the band sings, are very well done and show much development when compared to the simpler, more piano ballad-type songs of Bathing Music. "Lon Chaney" goes through several moods before it even gets to the vocals. Piano and saxophone play quick-paced counter melodies to create a triumphant sound. The mood turns angrier as the piano plays something more discordant. Mae Starr's always amazing cabaret-style vocals mellow out the song for a few moments, making it more somber, before the saxophone and piano come back to life for a pleasant postlude.

This darker, more soundscape-oriented sound of Trail of the Butter Yeti shows a maturation over last year's Bathing Music but is no more enjoyable than that album. While the band is able to create rich and interesting textures, they have a tendency to go overboard, creating inordinately long pieces that don't seem to go anywhere, songs that may work for a soundtrack but seem self indulgent beside the richer, more pop and melodic songs.

jim steed
2001 june 8

copyright © 2000-4 | fakejazz.com | balacynwyd, pa - newhaven, ct - slc, ut | info@fakejazz.com