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11 out of 12 Circuit cover

Landing - Circuit
(Music Fellowship)

Landing's debut EP, Centrefuge, achieved an airy serenity that was nearly perfect. With Circuit, Landing have branched out and explored a bit of the heavier, more brooding elements-–but with similar success.

Don't get me wrong the Centrefuge-like airiness is still present in songs like "Convergence" (which they have been playing live for the past few years) and "Summer Song" (which is what Fuxa would sound like if they were as good as Landing). The best parts of the album for me, however, are the heavier songs like "Across the Sky", "A Song," and "Coming Down." "Across the Sky" in particular, which is built on Dick Baldwin's beautifully sad bassline , is one of their very best songs. The bassline emerges from the swells of the keyboard and slowly develops as instruments are added–-sparse drums, additional keyboards, vocals, and, of course, Aaron Snow's trademark guitar work.

Another strength of the album is in the vocals. On Centrefuge the vocals were so buried that they were nearly impossible to hear. With Circuit, the vocals are in audible range and we discover that Aaron has a remarkably warm voice, and Adrienne's voice has a sweetness that is equally remarkable. This increased attention to the vocals makes the pop aspect of Landing's drone-pop sound that much more prominent.

The only weakness of the album for me is in the fact that the songs are of different vintage. The album is Landing's first full length and stands as sort of a "Best of" compilation of all the songs they recorded in their career. As a result, some of the songs are years old, and some of them are much newer. People less familiar with the band may not notice, but having known these songs in the different phases of Landing, the feel of the album is a slight bit uneven--the quality is always high but the songs do not blend together as naturally as they could.

This is only a minor flaw though; on their own, the songs of Circuit are excellent. I highly recommend the album and have only given it a less than perfect score because I have heard their even newer work and realize that they can actually get even better.

pete baumann
2001 jul 20

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