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7 out of 12 La Planete Sauvage (Soundtrack) cover

Alain Goraguer - La Planete Sauvage (Soundtrack)
(DC)

Have you been experiencing memory flashes of blue humanoid giants, tiny people, and fantastic fauna? The good new is that you may not be an alien abductee. You may have caught a late-night airing of 1973 cult classic La Planete Sauvage, Stefan Wul's allegory about the struggle for coexistence between two races-the gentle and cultured Draags, and their one-time pets, the rebellious Oms-as brought to life by animator Roland Topor and director Rene Laloux. The final ingredient, and perhaps the one that made Fantastic Planet (the film's English title) so memorable, was the score composed by Alain Goraguer, best known as an arranger for Serge Gainsbourg. With a full complement of surreal sights and sounds, and enough subtext to fuel philosophical debates, Fantastic Planet is an experience not easily forgotten. It's the type of film that haunts you for years. No need to tell this to the headz turned (on) by Goraguer's score, a much-sought psychedelicacy treasured by DJs. Fantastic Planet recently resurfaced on video and DVD, and DC Recordings head J. Saul Kane has seen to the re-release of the score on LP and CD. Just a taste of Goraguer's delectably trippy fusion of psychedelic-jazz instrumentation (marimba, lots of flute, guitars, bongos, Hammond organ), strings, theremin sounds, sighs, and slo-mo beats reveals why Kane stepped in. At times, it sounds an awful lot like his recent Depth Charge productions. Taken as a whole, however, La Planete Sauvage reveals how Goraguer juggles a number of character themes, reworking motifs into earthy funk, ethereal and atmospheric interludes, and epic evocations as required by the unfolding storyline. It's a little repetitive, and some of the music seems dated in light of today's techno-fueled soundtracks, but the score holds together rather well. And Goraguer's juxtaposition of pixie-pipe preciousness with hard-nosed funk is nothing if not addictive and, well, fantastic.

gil gershman
2001 feb 9

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