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8 out of 12 All Summer Long cover

Ashley Stove - All Summer Long
(Merge)

Ashley Stove's fourth album and second for Merge, All Summer Long, finds the band with a new lead guitarist, losing long time member Matt Brown and gaining former Small (who were highly underrated) and Pipe member Mike Kenlan (who has since left the band as well). The change in guitarist has produced a change in style, something cleaner, lighter, and more retro, and although it's hard to determine whether it was the lost member or the added member that led to this change, I'd hazard to put more weight on the loss.

All Summer Long is a breezy pop album that seems to be directly connected to pop-punk of the early 1980s. Being on "Superchunk's label" makes comparing them to Superchunk easy but also misleading; Ashley Stove draw directly from the same sources Superchunk do, but not second hand. Specificly, those sources are not those North Carolina neighbors but rather old dead Yankee bands like Minneapolis' The Replacements and Husker Du and Boston's The Cars. The songs manage to be both decidedly pop, with plenty of rich hooks, but also rough enough around the edges to still be considered punk rock--prototypical pop-punk (not some bastardized emo, lo-fi, or other hybrid).

All Summer Long has several strong Replacements-like pop songs, like "Amen Grasshopper" and "Devo Freak." "Devo Freak" is an ode to a "smooth" girl, so smooth that she is even a "Devo Freak." The song starts with a simple but effective prominent guitar hook before leading into a breakdown chorus with only tribal drums and the repeating lyrics "My Devo Freak My Devo Freak." You cannot help but repeat the words as well (at least in your head). "Amen Grasshopper" is a bit smoother and a bit less (purposefully) clunky, hitting you with the great guitar hook, and then hitting you over and over again with it through the chorus and hand claps.

The one song on All Summer Long that threw me was "Out Into the Races," as its vocal delivery is quite similar to Doug Martsch's, and the whole song could be a tribute to There's Nothing Wrong With Love-era Built to Spill. It's got everything you'd expect in a Built to Spill song: airy vocals with repetitive inflection on phrases in the chorus, a guitar-God (albeit short) guitar solo, and a soothing (but noisy) steadily-paced guitar and bass part. That song is followed by "Don't Wreck Your Car," another song about cars. This song is a bit catchier and a bit more bubblegum, reminding me of ex-Merge band Verbena with its nod to the dirty Stones and coarse but cute mixed gender vocals. The song uses a rollicking, toe-tapping beat and nice organ-based bridge section.

Wait, the early 80s gave us bands like The Replacements, Husker Du, and The Cars, and the early 90s gave us bands like Built to Spill and Superchunk; could Ashley Stove be a front runner to the next step in the cycle with the early double-0s? All Summer Long isn't good enough to be a classic album, but that doesn't mean it isn't good.

jim steed
2001 apr 13

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