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8 out of 12 Tête à Tête cover

ABBC - Tête à Tête
(Wabana)

Imagine for a moment that the Louisiana Purchase fell through, and France retained control of much of the Western United States for another 50 or 100 years. All those gruff and scruffy outlaws meandering the harsh, barren plains would have had their saddlebags full of brie and beaujolais with their felt berets providing completely inadequate protection from the desert sun. Luckily, Napoleon sold Jefferson that land, and the French cowboy is an object of pure fantasy.

ABBC is a collaboration between New Mexico instrument wranglers Calexico and their permanent houseguests, the Amor Belhom Duo of Paris. The music of the group is seemingly intended to be a collision of the two cultures, French cabaret pop fused with Western guitar soundscapes, and both styles are full represented. However, there is little actual fusing of the two styles as most songs seem to be standard material for one of the two duos, only arranged for four instruments instead of two. For instance, the cabaret pop of "Elevator Baby" and "Je Voudrais me Rappeller" benefits little from the presence of Calexico. Calexico provides less lead songwriting, but in the tracks they do, the presence of Amor and Belhom is similarly unfelt. For example, the country ballad "Gilbert" is stylistically and thematically very similar to "Service and Repair" from Calexico's Hot Rail.

The two or three songs that seem more like true collaborations are fairly bland soundtrack fodder. "The Wrestler's Masque" and "Le Savon se Dissout dans la Rigole" are lengthy quiet rustlings. The music is purely incidental.

While saying the album fails to meet its perceived goal seems highly negative, Tête à Tête (Head-to-Head for those non-francophiles) is still good music, the highlights just seem to be not much different from the work of the duos separately. Both "Mobile Home" and "Gilbert" would be very good songs for the duos, so naturally they are good songs for the quartet. The album just seems to be less than it could have been, like the Frenchman was eager to hear the cowboy's stories, but he didn't want to get anywhere near his horse.

jim steed
2001 jan 12

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