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Albums Low - The Great Destroyer (Subpop) website

The Great DestroyerOne of my favorite Low songs has always been "Venus" from their 7" that came out on Subpop in the 90s. It's very pop and conventional, without betraying what Low was and is... a mature version of Long Division. The Great Destroyer (which also happens to be on Subpop) seems to fit well with that song. One glaring thing about the album is that Sparhawk seems really fed up with writing songs, and he approaches that topic with biting sarcasm. In "When I Go Deaf," Sparhawk seems willing to give up his hearing in order to be able to walk away from writing music. It's a spare, oozing song that is entirely a capella for large sections before the typical slowcore© crashing cacophony of guitar interjects. Thicker, harsher, and angrier is "Everybody's Song" where Sparhawk seems spiteful for having so many people relate to his words. Similarly biting is "Just Stand Back," but this track takes the form of a very overt and syrupy pop song. On this song, Dave Fridmann's production is so overdone, it perhaps goes too far and fails to sound like a Low song. However, this overstep only serves to match the lyrics, as Low sings about betraying both their listeners, themselves, and the super colossal corporations in order to cash in by writing a "big" pop song. Sparhawk sings "just like diamonds in your hand, I'll just cut you in the end," giving a poetic and succinct analysis of why he just can't go down that road. While the big glossy pop songs like this one and "California" will be the most noticed songs due to their change in pace from the preceding albums on Kranky, there are still some prime downtempo, slower than your heartbeat songs. "Silver Rider" slows the room down to a snail's pace, coating the walls with a thick syrup of guitar and choral voices. "Broadway (So Many People)" stretches out over seven minutes to fully explore changes in dynamics, dwelling in the quiet then building with some pretty cooing from Mimi Parker to accompany the guitar chug.

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jim steed at 10:27 PM January 18, 2005

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Comments

This album really took awhile to grow on me, but I do think it is a good record, and while there are a few songs I don't really care for, it has a number of really great songs.

Posted by: darongardner [TypeKey Profile Page] at January 19, 2005 12:32 PM

I think it's a terrible record. The "good" songs are mediocre at best (compared to previous Low songs) and the bad songs are among the worst songs I've ever heard. Truly awful. So, with the bad songs reeking and the "good" songs sucking- I'd give this record a 3. Seriously, if this was a new band without the past would you guys give them this much of a chance? I know I'd just throw it in the garbage.

Posted by: bcolesby [TypeKey Profile Page] at February 2, 2005 12:38 PM

I think I would. I generally listen to things a lot before deciding. Honestly, at first I was disappointed, but still liked it more than the last record. But the more I listened to it, the more I really enjoyed the majority of the songs. I dont' think the good songs are mediocre at all. Though there are some songs on it that I don't like at all.

Posted by: darongardner [TypeKey Profile Page] at February 2, 2005 12:52 PM

Cool man. Yeah, it's true that you are more fair in regards to giving things chances. I just want a Low record that I don't have to work to like.

Posted by: bcolesby [TypeKey Profile Page] at February 2, 2005 12:55 PM

Just testing to see if I can comment - am awaiting the arrival of TGD from Amazon - should be an interesting listen, if nothing else. Hope to get a review of the new Fall CD, Interim, over for the site shortly.

Posted by: ukpilgrim [TypeKey Profile Page] at February 3, 2005 04:49 AM

Bryan, I liked this CD from first listen; I didn't have to give it "much of a chance." In fact, since I hadn't liked a Low CD a lot since Secret Name (i.e., more than 9/12), I was ready to write this one off as well. However, the mood and lyrics of the album got me into it really quickly (I'd take a song about hating writing songs any day over a song about Canada), and as I listened to it more, the more typical Low songs like "Silver Rider" became more powerful. It's not as good as Long Division or Curtain Hits the Cast, and no one is trying to say that, but it is good and a much more personal and open take of where they are as a band than "Dinosaur Act." If you're ready to close the book on Low, that's fine - they will never be as good as they were - but that seems to be coloring your opinion more than the content of the album.

Posted by: jim steed [TypeKey Profile Page] at February 3, 2005 10:44 AM

I'm closing the book on Low because this new record sucks, regardless of the past. Honestly, if I heard this record without knowing who the band was, I would dislike it more. The only thing saving it even slightly is the fact that Low's name is on it. This can't just be written off as "you just haven't heard it enough" because I listened to it all day for 4 days trying to justify owning it. I flat out hate this record.

Posted by: bcolesby [TypeKey Profile Page] at February 3, 2005 12:50 PM

As for why I hate it so much? I just don't really go for sort of rock (but not quite) emo type singer songwriter stuff much. The mood is always as important as the music in my opinion, and the mood of this album seems to be "off" or strained to my ears. This record doesn't seem to have been recorded while Low was in a comfortable headspace, and I just don't think their band works in that context.

Posted by: bcolesby [TypeKey Profile Page] at February 3, 2005 02:39 PM

After seeing Low play these songs live they way they should have been played all along, I am convinced that my initial opinion about this album was right - the songs are actually good, but the album was ruined by Dave Friedman's overproduction. Spearhawk is his own best producer. All you need to do is compare the album version of "Silver Rider" with the "Murderer" ep version to hear the proof. I just hope the band has learned from their mistake and realize that if they want to rock out a little bit more that is fine, but they don't need the slick bombast of a bloated Pitchfork producer-of-the-month to shake up their sound.

Posted by: Jason Bunch [TypeKey Profile Page] at February 13, 2005 04:25 PM

agree completely with jason. the songs are consistently good, as always, but way they are played, and especially the production, hurt them.

low are still my favorite, though.

Posted by: amnesoid [TypeKey Profile Page] at August 4, 2005 06:14 PM

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